Nga Monika Stafa<\/p>\n
Njer\u00ebzit p\u00ebrgjith\u00ebsisht e v\u00ebn\u00eb n\u00eb dyshim m\u00eb s\u00eb shumti n\u00ebse arti e ka aft\u00ebsin\u00eb p\u00ebr t\u00eb ushtruar ndikim tek ndjek\u00ebsit e tij. E v\u00ebrteta \u00ebsht\u00eb se e kan\u00eb gabim. Ndikimi artistik i tij ose influenca sic quhet sot ne gjuh\u00ebn e instagramit duket sapo ai shfaqet para syve. Portreti i cdokujt edhe kur \u00ebsht\u00eb nj\u00eb urrejt\u00ebs arti apo libri mbart nj\u00eb shije tjet\u00ebr.<\/p>\n
Shijen e sh\u00ebmtis\u00eb.<\/p>\n
Por arti apo let\u00ebrsia nuk ndikon vet\u00ebm n\u00eb sjelljen e cdonj\u00ebrit q\u00eb e do apo nuk e do at\u00eb. Arti \u00ebsht\u00eb m\u00eb tep\u00ebr se kaq. Arti \u00ebsht\u00eb politik\u00eb. Ai ka qen\u00eb gjithnj\u00eb pararoj\u00eb e ndryshimeve politike. N\u00eb Evrop\u00ebn Lindore ishin artist\u00ebt ata, t\u00eb cil\u00ebt kishin ndier se komunizmit i kishte ardhur fundi, teksa b\u00ebnin art e let\u00ebrsi n\u00eb llojin e tyre. Ky lloj shp\u00ebrthimi prej subkoshienc\u00ebs s\u00eb tyre tregonte se di\u00e7ka do t\u00eb ndodhte.<\/p>\n
Me fjal\u00eb t\u00eb tjera, n\u00ebse duam t\u00eb flasim p\u00ebr politik\u00eb nuk mund ta anashkalojm\u00eb estetik\u00ebn dhe anasjelltas \u00e7do aspekt i estetik\u00ebs pashmangshm\u00ebrisht \u00ebsht\u00eb i politizuar. T\u00eb dy k\u00ebto nocione, estetika dhe politika, nuk mund t\u00eb shqyrtohen ndaras. Ato jan\u00eb nocione q\u00eb funksionojn\u00eb si t\u00ebr\u00ebsi.<\/p>\n
Shum\u00eb koh\u00eb m\u00eb par\u00eb, kur u t\u00ebrhoqa prej artit apo let\u00ebrsis\u00eb, nuk e kisha kuptuar k\u00ebt\u00eb ndikim tek un\u00eb. Pastaj m\u00ebsova se libri apo dhe piktura kishin m\u00eb shum\u00eb sesa kaq. Jo m\u00eb kot bota e qytet\u00ebruar e kish nisur pik\u00ebrisht nga arti hartimin e kart\u00ebs s\u00eb par\u00eb t\u00eb t\u00eb drejtave themelore t\u00eb njeriut. N\u00eb vende ku b\u00ebhej let\u00ebrsi. Aty ku kishte art. <\/p>\n
Po si mund t\u00eb ndodhte kjo?<\/p>\n
\u2026<\/p>\n
Jane Austen, nj\u00eb shkrimtare angleze q\u00eb shkruante n\u00eb fund t\u00eb shek. XVIII dhe fill. t\u00eb shek. XIX, duket nj\u00eb autore q\u00eb e pa artin e saj ngusht\u00ebsisht t\u00eb lidhur me politik\u00ebn. Por kjo nuk u konsiderua e till\u00eb nga bashk\u00ebkoh\u00ebsit e saj dhe m\u00eb von\u00eb. Gabimisht ajo u quajt nj\u00eb shkrimtare romantike.<\/p>\n
Po p\u00ebrse? Cfar\u00eb influence pati ajo n\u00eb politik\u00eb?<\/p>\n
Si ndikuan romanet e saj n\u00eb sjelljet e klas\u00ebs s\u00eb mesme dhe t\u00eb lart\u00eb n\u00eb shoq\u00ebrin\u00eb amerikane dhe britanike?<\/p>\n
Jane Austen lindi n\u00eb 1775, vet\u00ebm nj\u00eb vit para se t\u00eb niste Revolucioni Amerikan. U cil\u00ebsua shkrimtare p\u00ebr t\u00eb pakt\u00ebn tre dekada t\u00eb jet\u00ebs s\u00eb saj, duke filluar t\u00eb shkruaj\u00eb seriozisht gjat\u00eb adoleshenc\u00ebs.<\/p>\n
Jetoi n\u00eb nj\u00eb epok\u00eb revolucionesh. Jo vet\u00ebm revolucionin amerikan por dhe at\u00eb francez, revolucionin industrial dhe at\u00eb q\u00eb disa e kan\u00eb quajtur si revolucionin m\u00eb t\u00eb gjat\u00eb q\u00eb ka ndodhur ndonj\u00ebher\u00eb, revolucionin p\u00ebr t\u00eb drejtat e grave. E q\u00eb ende nuk ka p\u00ebrfunduar.<\/p>\n
Kush e lexon Jane mendon s\u00eb pari se proza e saj \u00ebsht\u00eb romantike, mbushur me shqet\u00ebsimet e nj\u00eb adoleshenteje p\u00ebr t\u00eb r\u00ebn\u00eb n\u00eb sy n\u00eb oazin e saj t\u00eb boll\u00ebkut dhe rehatis\u00eb. Por gabohen. N\u00eb let\u00ebrsin\u00eb q\u00eb ajo b\u00ebn, Jane ndan elemente t\u00eb ndryshimeve t\u00eb m\u00ebdha politike q\u00eb po ndodhin n\u00eb bot\u00eb dhe ajo \u00ebsht\u00eb t\u00ebr\u00ebsisht e influencuar prej revolucioneve t\u00eb epok\u00ebs q\u00eb jetoi.<\/p>\n
Gjat\u00eb koh\u00ebs kur Jane Austen shkruante shoq\u00ebria britanike nuk ishte e ndar\u00eb vet\u00ebm n\u00eb klasa t\u00eb ndryshme shoq\u00ebrore, por kishte nj\u00eb ndarje t\u00eb qart\u00eb midis grave dhe burrave. Nd\u00ebrsa burrat u angazhuan n\u00eb detyra publike duke p\u00ebrfshir\u00eb politik\u00ebn dhe biznesin, vendi i grave ishte n\u00eb sht\u00ebpi. Detyrat e tyre zakonisht p\u00ebrfshinin thjesht edukimin e f\u00ebmij\u00ebve.<\/p>\n
K\u00ebshtu, grat\u00eb jo vet\u00ebm q\u00eb mbaheshin me q\u00ebllim larg sfer\u00ebs publike, por ato u d\u00ebnuan te ken\u00eb nj\u00eb jet\u00eb te mbushur me p\u00ebrtaci dhe krejt t\u00eb par\u00ebnd\u00ebsishme.<\/p>\n
N\u00eb romanet e saj Jane p\u00ebrve\u00e7se kund\u00ebr \u00e7do autoriteti dhe kund\u00ebr cdo lufte, \u00ebsht\u00eb e pazakont\u00eb edhe n\u00eb ofrimin e heroinave aq t\u00eb forta dhe t\u00eb pavarura si ajo i p\u00ebrshkruan. Ndoshta kjo \u00ebsht\u00eb nj\u00eb prej disa arsyeve p\u00ebrse sot e ngaher\u00eb, vajzat dhe grat\u00eb i k\u00ebrkojn\u00eb romanet e saj.<\/p>\n
\u00cbsht\u00eb e r\u00ebnd\u00ebsishme t\u00eb kujtojm\u00eb gjithmon\u00eb se let\u00ebrsia apo cfar\u00ebdo arti nuk krijohet n\u00eb vakum.<\/p>\n
N\u00eb at\u00eb rr\u00ebmuj\u00eb revolucionare p\u00ebr k\u00ebrkim t\u00eb drejtash, pronar\u00ebt e m\u00ebdhenj t\u00eb tokave hartuan nj\u00eb ideologji kund\u00ebrrevolucionare q\u00eb mb\u00ebshteste fort stabilitetin e sistemit hierarkik britanik. Ata financuan t\u00eb b\u00ebrit let\u00ebrsi dhe forma t\u00eb tjera arti p\u00ebr t\u00eb mos i l\u00ebshuar shum\u00eb prej p\u00ebrfitimeve t\u00eb tyre. K\u00ebshtu, J. Austen u p\u00ebrfshi si nj\u00eb an\u00ebtare e brezit kund\u00ebr-revolucionar. Veprat e saj t\u00eb para u krijuan n\u00eb mes nj\u00eb “gjuetie kulturore shtrigash”.<\/p>\n
Megjith\u00ebse ishte pjes\u00eb e klas\u00ebs konservatore moderne q\u00eb po lindte n\u00eb k\u00ebt\u00eb koh\u00eb n\u00eb Angli, ajo si cdo shkrimtar kishte dy an\u00eb t\u00eb personalitetit t\u00eb saj. <\/p>\n
Njihte err\u00ebsir\u00ebn po aq edhe drit\u00ebn.<\/p>\n
Kam lexuar dikur nj\u00eb fraz\u00eb t\u00eb mrekullueshme e q\u00eb m\u00eb vjen nd\u00ebrmend sa her\u00eb padija e sh\u00ebmtis\u00eb ma prish dit\u00ebn. \u2018T\u00eb dish dhe t’u b\u00ebsh t\u00eb ditur t\u00eb tjer\u00ebve nga vjen\u2019 nuk do t\u00eb thot\u00eb aspak se po b\u00ebn propagand\u00eb por thjesht do t\u00eb thot\u00eb t\u00eb kesh forc\u00ebn intelektuale p\u00ebr t\u00eb frenuar gjuh\u00ebn e sh\u00ebmtis\u00eb ndaj tjetrit edhe kur nuk e p\u00eblqen p\u00ebr shkak t\u00eb cdo lloj arsyeje. Q\u00eb m\u00eb s\u00eb shumti e kudo \u00ebsht\u00eb krejt banale.<\/p>\n
Do t\u00eb thot\u00eb n\u00eb fund fare t\u00eb pranosh magjepsjen\/ bukurin\u00eb e cdokujt edhe si kriter domosdoshm\u00ebrisht bashk\u00ebpunimi.<\/p>\n
Q\u00eb n\u00eb gjuh\u00ebn e J. Austen do t\u00eb thot\u00eb t\u00eb pranosh fuqin\u00eb e t\u00eb qenit i bindur, si dhe fuqin\u00eb e t\u00eb qenit n\u00eb gjendje t\u00eb arrish t\u00eb bind\u00ebsh.<\/p>\n
E kur k\u00ebt\u00eb nuk gjen forc\u00eb ta arrish dot, Jane shkruante se at\u00ebher\u00eb edukimi yt \u00ebsht\u00eb tejet i mang\u00ebt.<\/p>\n
E b\u00ebjm\u00eb dot?<\/p>", "protected": false }, "excerpt": { "rendered": "
Nga Monika Stafa Njer\u00ebzit p\u00ebrgjith\u00ebsisht e v\u00ebn\u00eb n\u00eb dyshim m\u00eb s\u00eb shumti n\u00ebse arti e ka aft\u00ebsin\u00eb p\u00ebr t\u00eb ushtruar ndikim tek ndjek\u00ebsit e tij. E v\u00ebrteta \u00ebsht\u00eb se e kan\u00eb gabim. Ndikimi artistik i tij ose influenca sic quhet sot ne gjuh\u00ebn e instagramit duket sapo ai shfaqet para syve. Portreti i cdokujt edhe […]<\/p>", "protected": false }, "author": 2037, "featured_media": 320218, "comment_status": "closed", "ping_status": "closed", "sticky": false, "template": "", "format": "standard", "meta": { "footnotes": "" }, "categories": [ 241, 364, 5380, 231, 235 ], "tags": [], "class_list": { "0": "post-320217", "1": "post", "2": "type-post", "3": "status-publish", "4": "format-standard", "5": "has-post-thumbnail", "7": "category-aktualitet", "8": "category-koment-opinion", "9": "category-kryesore", "10": "category-lajme", "11": "category-vendi" }, "_links": { "self": [ { "href": "https:\/\/zjarr.tv\/en\/wp-json\/wp\/v2\/posts\/320217", "targetHints": { "allow": [ "GET" ] } } ], "collection": [ { "href": "https:\/\/zjarr.tv\/en\/wp-json\/wp\/v2\/posts" } ], "about": [ { "href": "https:\/\/zjarr.tv\/en\/wp-json\/wp\/v2\/types\/post" } ], "author": [ { "embeddable": true, "href": "https:\/\/zjarr.tv\/en\/wp-json\/wp\/v2\/users\/2037" } ], "replies": [ { "embeddable": true, "href": "https:\/\/zjarr.tv\/en\/wp-json\/wp\/v2\/comments?post=320217" } ], "version-history": [ { "count": 0, "href": "https:\/\/zjarr.tv\/en\/wp-json\/wp\/v2\/posts\/320217\/revisions" } ], "wp:featuredmedia": [ { "embeddable": true, "href": "https:\/\/zjarr.tv\/en\/wp-json\/wp\/v2\/media\/320218" } ], "wp:attachment": [ { "href": "https:\/\/zjarr.tv\/en\/wp-json\/wp\/v2\/media?parent=320217" } ], "wp:term": [ { "taxonomy": "category", "embeddable": true, "href": "https:\/\/zjarr.tv\/en\/wp-json\/wp\/v2\/categories?post=320217" }, { "taxonomy": "post_tag", "embeddable": true, "href": "https:\/\/zjarr.tv\/en\/wp-json\/wp\/v2\/tags?post=320217" } ], "curies": [ { "name": "wp", "href": "https:\/\/api.w.org\/{rel}", "templated": true } ] } }