Gazetarja e njohur Arta Marku, me nj\u00eb kontribut t\u00eb gjer\u00eb n\u00eb shum\u00eb gazeta e m\u00eb pas me emisionet e saj televizive p\u00ebr librin, por edhe personazhet, ka reaguar me nj\u00eb sqarim t\u00eb gjat\u00eb p\u00ebr emisionin e saj radiofonik \u201cPalimpsest\u201d, q\u00eb si\u00e7 kuptohet nga sqarimi i saj i gjat\u00eb, as nuk \u00ebsht\u00eb kuptuar, dhe as nuk \u00ebsht\u00eb shqiptuar si\u00e7 duhet nga analisti Frrok \u00c7upi n\u00eb komentet e tij gjat\u00eb nj\u00eb daljeje publike. Arta, e cila mbetet besnike e lexuesit dhe d\u00ebgjuesit t\u00eb saj p\u00ebr kultur\u00ebn e gjer\u00eb dhe personazhet karizmatik\u00eb q\u00eb fton n\u00eb emision, ka dh\u00ebn\u00eb nj\u00eb p\u00ebrgjigje t\u00eb detyruar p\u00ebr t\u00eb treguar se emisioni q\u00eb ajo b\u00ebn n\u00eb Radio, nuk p\u00ebrputhet asesi me programet televizive t\u00eb konsumit. Por i p\u00ebrket, nj\u00eb tjet\u00ebr kategorie njer\u00ebzish\u2026ku n\u00eb fakt nuk hyn dot kushdo.<\/p>\n
Nga Arta Marku<\/strong><\/p>\n Nj\u00eb PALIMPSEST \u00ebsht\u00eb nj\u00eb dor\u00ebshkrim mbi t\u00eb cilin teksti i shkruar m\u00eb par\u00eb \u00ebsht\u00eb fshir\u00eb p\u00ebr t\u2019i b\u00ebr\u00eb vend nj\u00eb teksti t\u00eb ri. Materialet mbi t\u00eb cilat dikur shkruhej, duke mos qen\u00eb letrat, si sot, kushtonin. Merreni me mend nj\u00eb pergamen\u00eb l\u00ebkure \u00e7far\u00eb kostoje (n\u00eb shum\u00eb kuptime) ishte p\u00ebr hir t\u00eb shkrimit. Por duhej shkruar. E nga ana tjet\u00ebr di\u00e7ka duhej sakrifikuar. P\u00ebr paradoks, vet\u00eb shkrimi. At\u00ebher\u00eb, lindte nevoja q\u00eb t\u00eb rip\u00ebrdoreshin t\u00eb nj\u00ebjtat pergamena p\u00ebr shkrime t\u00eb reja. Shkrimet e vjetra s\u2019kishin tjet\u00ebr destin ve\u00e7 fshirjes. Por edhe t\u00eb rejave do t\u00eb vinte nj\u00eb dit\u00eb e, me t\u2019u b\u00ebr\u00eb t\u00eb vjetra, do t\u00eb fshiheshin\u2026 DO T\u00cb ZHDUKESHIN? N\u00eb t\u00eb v\u00ebrtet\u00eb, sadoq\u00eb i ishte hapur vend shkrimit t\u00eb ri, shkrimi i vjet\u00ebr nuk zhdukej, gjithsesi. Ishte fshir\u00eb por gjurm\u00ebt kishin mbetur. Sot madje, me rreze lazer, \u00ebsht\u00eb e mundur t\u00eb lexohen plot\u00ebsisht shkrimet e vjetra n\u00ebn t\u00eb rejat t\u00eb vjet\u00ebruara edhe ato, duke v\u00ebrtetuar se asgj\u00eb nuk zhduket p\u00ebrgjithnj\u00eb. Duke e p\u00ebrdorur PALIMPSESTIN si nj\u00eb metafor\u00eb (padyshim s\u2019jam e para) vet\u00eb qenien njer\u00ebzore e pash\u00eb si t\u00eb till\u00eb. Si nj\u00eb lloj PALIMPSESTI, pra. I pash\u00eb koh\u00ebrat n\u00ebp\u00ebr t\u00eb cilat endet e vijon qenia njer\u00ebzore si t\u00eb lidhura me nj\u00eb fill i cili her\u00ebdokur, pashmangsh\u00ebm, b\u00ebhet i paduksh\u00ebm, di\u00e7ka ia fsheh shikimit, hollohet ndoshta, madje edhe k\u00ebputet. I pash\u00eb shtresat e ekzistenc\u00ebs njer\u00ebzore t\u00eb vendosura mbi nj\u00ebra-tjetr\u00ebn. T\u00eb poshtmet, sa m\u00eb thell\u00eb t\u00eb jen\u00eb, n\u00eb mos fshir\u00eb, jan\u00eb spostuar a ngjeshur p\u00ebr t\u2019i b\u00ebr\u00eb vend nj\u00eb shtrese t\u00eb re q\u00eb l\u00ebshonte jeta\u2026 e k\u00ebshtu n\u00eb m\u00ebnyr\u00eb t\u00eb pand\u00ebrprer\u00eb.<\/p>\n Si nj\u00eb lloj PALIMPSESTI, pra, e pash\u00eb njeriun kur ideova, k\u00ebtu e kat\u00ebr vjet t\u00eb shkuara, programin radiofonik me t\u00eb nj\u00ebjtin titull. P\u00ebrvojat e individit i p\u00ebrfytyrova si shtresat q\u00eb koha i l\u00ebshon mbi nj\u00ebra-tjetr\u00ebn, teksa KUJTESA dhe HARRESA i len\u00eb vend nj\u00ebra-tjetr\u00ebs her\u00eb mir\u00eb e her\u00eb keq. Si jan\u00eb p\u00ebrvojat e dikujt? Cilat jan\u00eb ngjarjet apo nj\u00ebra syresh q\u00eb teksa i ka ndodhur i \u00ebsht\u00eb shnd\u00ebrruar n\u00eb leksion jete? \u00c7far\u00eb m\u00ebsimi ka p\u00ebrftuar? Po kujtesa si e ka ndihmuar? Po harresa sa e ka penguar? Po e mira dhe e keqja a jan\u00eb t\u00eb barazvlefshme p\u00ebrkat\u00ebsisht me kujtes\u00ebn dhe harres\u00ebn? Apo nuk \u00ebsht\u00eb gjithnj\u00eb k\u00ebshtu? Po vet\u00ebdija p\u00ebr p\u00ebrmbajtjen e depozit\u00ebs s\u00eb kujtes\u00ebs a ekziston? Ka \u201csende\u201d t\u00eb humbura apo t\u00eb harruara brenda saj? Apo njeriut thjesht i duket sikur e ka humbur\u00a0 di\u00e7ka (nj\u00eb cop\u00ebz jet\u00eb t\u00eb djeshme), ngjash\u00ebm me paraardh\u00ebsit e tij t\u00eb lasht\u00eb q\u00eb kujtonin se e kishin fshir\u00eb shkrimin mbi pergamen\u00eb po palimpsesti ia kish ruajtur?<\/p>\n Po koha q\u00eb ik\u00ebn si e ndryshon njeriun? Po rasti, rrethanat sa e kan\u00eb n\u00eb dor\u00eb at\u00eb? Po lufta dhe paqja pse nd\u00ebrrojn\u00eb vazhdimisht vendet? Pse jet\u00ebn e perceptojm\u00eb si nj\u00eb seri betejash t\u00eb nj\u00ebpasnj\u00ebshme dhe me amr\u00ebpushimet pse mjaftohemi n\u00eb vend q\u00eb t\u00eb k\u00ebrkojm\u00eb fitoren p\u00ebrfundimtare t\u00eb l*uft\u00ebs\u2026? P\u00ebr k\u00ebto e t\u00eb tjera k\u00ebsisoj mendova t\u2019i pyes t\u00eb ftuarit e\u00a0 mi duke i k\u00ebrkuar q\u00eb t\u00eb mb\u00ebshteteshin n\u00eb p\u00ebrvojat e tyre vetjake t\u00eb cilat i p\u00ebrfytyroja si leksione jete t\u00eb drejtp\u00ebrdrejta p\u00ebr d\u00ebgjuesit. I p\u00ebrfytyrova dhe k\u00ebshtu m\u00eb rezultoi: nga ato lloj leksionesh q\u00eb t\u00eb dep\u00ebrtojn\u00eb brenda qenies e nisin e l\u00ebvrijn\u00eb me gjakun. Dhe \u201cshfletova\u201d palimpsestet vetjake dhe t\u00ebr\u00ebsisht origjinale, me gjith\u00eb mbivendosjet e atyk\u00ebtushme, t\u00eb Ardian Ndreca, Besnik Mustafaj, Ardian Vehbiu, Ylljet Ali\u00e7ka, Irena To\u00e7i, Pandi La\u00e7o, Matteo Mandala, Ilir Alimehmeti, Robert Wilton, Ema Andrea, Erion Kristo, Ardi Asllani, Monika Stafa, Pali Kuke, Namik Dokle, Andri Xhahu, Ermenita Stafa, Adi Krasta, Mirela Kumbaro, Valentina Leskaj, Rudina Xhunga, Nevila Nika, Altin Basha, Anila Denaj, Mimoza Hysa, Inva Mula, Lili Sula, Enkel Demi, Bledi Strakosha, Eleni Laperi, Diana Kastrati, Dom Gjergj Meta, Anisa Ymeri, Erion Veliaj, Erand Llanaj, Oana Anca Mihaela Glasu, Liridon Mulaj, Rezarta Re\u00e7i\u2026 dhe lista vazhdon dhe vazhdon me persona q\u00eb jo vet\u00ebm kan\u00eb \u00e7\u2019rr\u00ebfejn\u00eb por sidomos rr\u00ebfimet e tyre ia vlen t\u2019i d\u00ebgjosh\u2026<\/p>\n Ishin t\u00eb mrekullueshme p\u00ebrvojat dhe interpretimet q\u00eb u b\u00ebn\u00eb t\u00eb ftuarit e mi n\u00eb PALIMPSEST, n\u00eb studion e RADIO TIRAN\u00cbS. Sa p\u00ebr mua, thjesht pyesja, asgj\u00eb m\u00eb shum\u00eb. Po pse gjith\u00eb ky shpjegim, mund t\u00eb mendoni ju? Po ja: pash\u00eb Frrok \u00c7upin mbr\u00ebm\u00eb, qe teksa nisi t\u00eb lexonte nj\u00eb list\u00eb me tituj pogramesh t\u00eb Radio Tiran\u00ebs, duke dashur ta diskretitonte at\u00eb kanal radiofonik p\u00ebr cil\u00ebsin\u00eb jasht\u00ebzakonisht t\u00eb dob\u00ebt (sipas tij) d\u00ebshtoi te shqiptimi i sakt\u00eb i fjal\u00ebs PALIMPSEST. U p\u00ebrpoq disa her\u00eb dhe m\u00eb n\u00eb fund b\u00ebri nj\u00eb shqiptim t\u00ebr\u00ebsisht individual q\u00eb me fjal\u00ebn vet\u00eb s\u2019kishte t\u00eb b\u00ebnte. \u201c\u00c7FAR\u00cb \u00cbSHT\u00cb!\u201d \u2013 tha m\u00eb n\u00eb fund, por nuk mori p\u00ebrgjigje. Fundja s\u2019ishte q\u00ebllimi i programit ku e kishin ftuar\u2026 Pra, n\u00eb nj\u00eb far\u00eb m\u00ebnyre po ia shpjegoj. Edhe pse, me gjas\u00eb, nuk i intereson ta dij\u00eb. Duhet ta pranoj se PALIMPSEST nuk \u00ebsht\u00eb fjal\u00eb e fjalorit ton\u00eb aktiv ndaj dhe m\u00eb ka ndodhur shpesh e m\u00eb ndodh ende, q\u00eb t\u00eb m\u00eb pyesin p\u00ebr kuptimin e saj. Asgj\u00eb t\u00eb keqe s\u2019ka. Nuk dim\u00eb gjith\u00e7ka, ndaj dhe ekziston pyetja\u2026 Edhe Frroku, ndoshta, mund t\u00eb m\u00eb kish pyetur, por atij kurr\u00eb s\u2019i ndodhi ta d\u00ebgjonte programin para se t\u00eb lexonte titullin e tij mbi nj\u00eb let\u00ebr teska ndodhej n\u00eb nj\u00eb studio televizive ku kishte shkuar n\u00eb t\u00eb v\u00ebrtet\u00eb jo p\u00ebr t\u00eb gjykuar nj\u00eb fjal\u00eb a nj\u00eb titull, por p\u00ebrmbajtjen. Asgj\u00eb p\u00ebr t\u2019u habitur s\u2019ka. Tashm\u00eb, t\u00eb gjykosh di\u00e7ka pa e njohur m\u00eb par\u00eb \u00ebsht\u00eb krejt e zakonshme mes nesh. Rasti i mbr\u00ebmsh\u00ebm \u00ebsht\u00eb ve\u00e7 nj\u00ebri, i radh\u00ebs, mes t\u00eb\u00a0 panum\u00ebrtve. Pse u dashka q\u00eb Frrok \u00c7upi t\u00eb b\u00ebj\u00eb p\u00ebrjashtim? Nuk ndiqet tha ai, ve\u00e7mas p\u00ebr PALIMPSESTIN. Askush s\u2019e ndjek, k\u00ebmb\u00ebngulte. K\u00ebmb\u00ebngulja e tij m\u00eb solli n\u00eb mendje nj\u00eb histori t\u00eb larg\u00ebt me nj\u00eb tjet\u00ebr program timin, BIBLIOTEK\u00cbN. Kur p\u00ebr her\u00eb t\u00eb par\u00eb e hapa BIBLIOTEK\u00cbN n\u00eb nj\u00eb tv privat, pata mb\u00ebshtetjen e pakusht\u00ebzuar t\u00eb Zana \u00c7el\u00ebs. Ishte drejtoresha. S\u2019kish p\u00ebr t\u00eb ndodhur pa t\u00eb, sepse pak pasi ajo u largua nga ai Tv, padroni vendosi t\u2019a mbyllte edhe BIBLIOTEK\u00cbN. Pata at\u00ebher\u00eb iden\u00eb naive t\u00eb trokisja n\u00eb dyer televizionesh t\u00eb tjer\u00eb. Dhe m\u00eb than\u00eb:<\/p>\n \u201cE kujt i rruhet p\u00ebr librin?\u201d Naiviteti nuk m\u00eb braktisi megjithat\u00eb dhe trokita n\u00eb nj\u00eb tjet\u00ebr der\u00eb ku gjeta nj\u00ebfar\u00eb \u201celegance\u201d n\u00eb p\u00ebgjigje. M\u00eb than\u00eb: \u201cS\u2019t\u00eb paguan njeri q\u00eb t\u00eb lexosh nj\u00eb lib\u00ebr n\u00eb jav\u00eb\u201d. N\u00eb thelb, n\u00eb t\u00eb dyja rastet q\u00ebndron, i nj\u00ebjti \u201chall\u201d me at\u00eb t\u00eb Frrok \u00c7upit: MOSNDJEKJA. Kur e rihapa BIBLIOTEK\u00cbN, n\u00eb RTSH, pata propozimin e papritur, t\u00eb mir\u00ebpritur e po aq t\u00eb shum\u00ebpritur, nga Martin Leka, q\u00eb mesa duket sikund\u00ebr Zana \u00c7ela n\u00eb distanc\u00eb kohore, nuk shqet\u00ebsohej nga \u201cMOSNDJEKJA\u201d. Ja ku u b\u00ebm\u00eb, bashk\u00eb me mua, tre vet\u00eb, q\u00eb kemi nj\u00eb koncept tjet\u00ebr p\u00ebr MOSNDJEKJEN q\u00eb s\u2019ka e s\u2019mund t\u00eb k\u00ebt\u00eb t\u00eb b\u00ebj\u00eb me fenomenin P\u00cbRPUTHEN. Se nuk mund t\u00eb p\u00ebrputhen. NUK DUHET p\u00ebr m\u00eb tep\u00ebr. MOSP\u00cbRPUTHJA m\u00eb solli edhe ajo n\u00eb mendje nj\u00eb histori akoma m\u00eb t\u00eb larg\u00ebt. Nj\u00eb \u201ckonflikt\u201d i vazhduesh\u00ebm i k\u00ebtu e 30 viteve t\u00eb shkuara mes meje dhe nj\u00eb kolegu t\u00eb sportit. Kishim nj\u00eb faqe t\u00eb p\u00ebrbashk\u00ebt gazete, gjysma kushtuar kultur\u00ebs e gjysma kushtuar sportit. M\u00eb von\u00eb gazet\u00ebs do t\u2019i shtohej numri i faqeve, p\u00ebr pasoj\u00eb edhe rubrikave tona. Por ende jo n\u00eb 1994 e larg\u00ebt, ndaj ne \u201cgrindeshim\u201d \u00e7do dit\u00eb sepse secili donte pjes\u00ebn m\u00eb t\u00eb madhe t\u00eb faqes. Cili duhej t\u00eb hapte rrug\u00eb n\u00eb \u201csherrin\u201d e p\u00ebrditsh\u00ebm? Cili prej nesh duhej ta shkurtonte artikullin? Argumenti i kolegut t\u00eb sportit ishte logjik: teatri ka (asokohe) 250 vende stadiumi 10000 (e dyfishuar sot). \u00c7far\u00eb ndryshimi mes numrit t\u00eb lexuesve t\u00eb t\u00eb dy rubrikave. N\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb, me gjuh\u00ebn e shifrave, mua m\u00eb takonte vend sa p\u00ebr titullin. Apo m\u00eb mir\u00eb fare? L\u00cbRE FARE!<\/p>\n Tashm\u00eb jemi te libri. Librarit\u00eb jan\u00eb kaq t\u00eb vogla. Akoma m\u00eb t\u00eb vogla se kudo n\u00ebp\u00ebr Evrop\u00eb, k\u00ebto t\u00eb Tiran\u00ebs. Vet\u00ebm ca vite t\u00eb shkuara kishin p\u00ebrmasat e nj\u00eb qoshku q\u00eb nuk zinte brenda m\u00eb shum\u00eb se sa shit\u00ebsen. N\u00ebp\u00ebr qytete t\u00eb tjera si duhet t\u00eb jen\u00eb, ende? Ndoshta si qoshkat e vjetra t\u00eb Tiran\u00ebs, me xhama q\u00eb e kan\u00eb humbur tejdukshm\u00ebrin\u00eb? Ndoshta s\u2019ka fare? Ndoshta diku diku, p\u00ebr hir t\u00eb ndonj\u00eb pasioni u b\u00ebhet vend librave n\u00eb ndonj\u00eb kancelari, mes lapsave dhe gomave q\u00eb u duhen nx\u00ebn\u00ebsve, anash printerit q\u00eb ve\u00e7 shkollar\u00ebve u duhet t\u00eb gjith\u00ebve p\u00ebr t\u00eb printuar ndonj\u00eb dokument? K\u00ebshtu pak a shum\u00eb. E duke qen\u00eb k\u00ebshtu: Kujt i rruhet p\u00ebr BIBLIOTEK\u00cbN? Kujt i rruhet p\u00ebr PALIMPSESTIN? Tjet\u00ebr gj\u00eb do t\u00eb kish qen\u00eb n\u00ebse Besnik Mustafaj, Mira Meksi, Ilirian Zhupa, Ylljet Ali\u00e7ka, Visar Zhiti, (s\u2019po e p\u00ebrs\u00ebris list\u00ebn q\u00eb vijon me pjes\u00ebn m\u00eb t\u00eb madhe t\u00eb shkrimtar\u00ebve e poet\u00ebve shqiptar\u00eb bashk\u00ebkohor\u00eb, me p\u00ebrkthyesit e studiuesit m\u00eb n\u00eb z\u00eb sot\u2026) do t\u00eb rivalizonin T\u00cb P\u00cbRPUTHURIT q\u00eb i b\u00ebn\u00eb shkodran\u00ebt t\u00eb dyndeshin n\u00eb oborin e Teatrit Migjeni (u mbush edhe oborri i teatrit jasht\u00eb parashikimeve t\u00eb kolegut tim t\u00eb sportit), duke \u00ebnd\u00ebrruar nj\u00eb p\u00ebrqafim, a nj\u00eb fotografi q\u00eb do ta d\u00ebshmonte publikisht takimin historik n\u00eb fb apo instagram.<\/p>\n Sigurisht q\u00eb P\u00cbRPUTHEN, NDIQEN, SHUM\u00cb, shum\u00eb, shum\u00eb fare\u2026 Por nuk ndodh, as ka p\u00ebr t\u00eb ndodhur kurr\u00eb me argument kulturore a letrare. Askund. Sidoqoft\u00eb un\u00eb bashk\u00ebngjitur po postoj nj\u00eb PALIMPSEST. Me gjith\u00eb pap\u00ebrputhshm\u00ebrin\u00eb me Frrok \u00c7upin, mund t\u00eb ket\u00eb p\u00ebrputhshm\u00ebri me t\u00eb tjer\u00eb, ashtu sikurse shum\u00eb programe t\u00eb Radio Tiran\u00ebs\u2026 P\u00ebr k\u00ebta t\u00eb fundit, NDJEKJE t\u00eb k\u00ebndshme!<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Gazetarja e njohur Arta Marku, me nj\u00eb kontribut t\u00eb gjer\u00eb n\u00eb shum\u00eb gazeta e m\u00eb pas me emisionet e saj televizive p\u00ebr librin, por edhe personazhet, ka reaguar me nj\u00eb sqarim t\u00eb gjat\u00eb p\u00ebr emisionin e saj radiofonik \u201cPalimpsest\u201d, q\u00eb si\u00e7 kuptohet nga sqarimi i saj i gjat\u00eb, as nuk \u00ebsht\u00eb kuptuar, dhe as nuk […]<\/p>\n","protected":false},"author":2016,"featured_media":210005,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[241],"tags":[],"class_list":{"0":"post-210001","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-aktualitet"},"_links":{"self":[{"href":"https:\/\/zjarr.tv\/sq\/wp-json\/wp\/v2\/posts\/210001","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zjarr.tv\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zjarr.tv\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zjarr.tv\/sq\/wp-json\/wp\/v2\/users\/2016"}],"replies":[{"embeddable":true,"href":"https:\/\/zjarr.tv\/sq\/wp-json\/wp\/v2\/comments?post=210001"}],"version-history":[{"count":0,"href":"https:\/\/zjarr.tv\/sq\/wp-json\/wp\/v2\/posts\/210001\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zjarr.tv\/sq\/wp-json\/wp\/v2\/media\/210005"}],"wp:attachment":[{"href":"https:\/\/zjarr.tv\/sq\/wp-json\/wp\/v2\/media?parent=210001"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zjarr.tv\/sq\/wp-json\/wp\/v2\/categories?post=210001"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zjarr.tv\/sq\/wp-json\/wp\/v2\/tags?post=210001"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}